Midas HD96-24-CC-TP Live Digital Console, Touring

Live Digital Console Control Centre with 144 Input-Channels, 120 Flexible Mix Buses, 96 kHz Sample Rate, 21" Touch Screen and Touring Grade Road Case

Heritage History
The Heritage 3000 (H3K) was first introduced in 1999. Its famous purple colour and features made it so distinctly Midas. It soon established itself as the world wide industry standard for live sound applications. The H3K proved to be a huge winner from day one.
The striking colour scheme wasn’t the only thing that made waves within the industry. With a new pre-amp design bettering that of the iconic XL4, large channel and aux counts plus the flexible aux switching system, it’s no wonder the H3K appeared on everyone’s spec as the console of choice.
Living up to the reputation of the H3K is undeniably a hard task; the H3K set a new standard in live mixing.
Naming the Heritage D after such an iconic mixing console was indeed a bold move. However, this product is bold and visionary whilst keeping the legendary sound quality and raising the bar on what a digital mixing console can achieve.
Building on the prolific history of the H3K and PRO Series consoles, the new Heritage D now reinvents the workflow of the sound engineer. Finally, a Midas you can touch. Featuring a powerful 21” HD touch screen and formidable ultramodern Graphic User Interface (GUI) control all at your fingertips. Heritage D is a vision of the future with thought provoking new features such as Channel AI (yes, Artificial Intelligence).
This platform is designed for the future and will continue to grow and develop over many years with an impressive Midas team that are eager to improve and constantly add new features. Your investment in the Heritage D is safe.

The Graviton Mk 2 Processing Engine
At the heart of every mixing console is the most important part – Audio. Overlooked by other manufacturers, we have always put sound at the top of our priority list.
It was hard, almost impossible, but we improved on the legendary Midas digital sound with our new 64-bit summing mix engine with increased dynamic range. Driving a Midas has never been easier.
The key to the Midas sound is in giving ultimate flexibility while still being delay compensated. Avoiding the dreaded comb filtering effect is so very important. Many other consoles simply ignore this crucial part of the audio signal path.

Flexi-Aux
The Flexi-Aux system gives the ability to send aux to aux for group or stem style mixing. Now you can smash a whole drum kit with parallel compression and feed it to an artists in ear mix.

Variable Channel Phase
The new, intuitive, easy to use Variable Phase per channel allows sound sources to be blended together seamlessly, with high or low phase changes to mix signals together in ways never achievable before.

Tap Off Points
New tap off points on channels have been introduced to allow signals to be sent from any point in the signal path. This gives greater flexibility for sending signals to stage before any element of processing has been performed. All this without affecting what Midas magic is needed for the main mix.
For the first time on a Midas, post insert fader points are available plus all processing options orders can be changed by simply dragging and dropping in the order you desire.

With Great Power Comes… More Chips
With 18 Sharc DSPs, 14 layer boards, 5 Eighth Generation FPGAs and 2 GPU co-processors there has never been such a technologically advanced board in the world.
True Innovation
Channel AI™
True Preview™
True Audition™ Console Connected
A true plethora of Effects with Music Tribe's unparalleled sister companies including TC Electronic, we have the world’s best effects emulations. Up to 96 effects can be used to craft a beautiful sounding mix

Midas Touch
The first Midas full HD multitouch screen with up to 10 faders being controlled at once, unseen on a mixing console. Mixing never looked so good.

Shout Mixer
The Shout Mixer allows complex communication groups to be easily created and stored. 16 shout inputs (independent of the input and output channel count) can be used to create multifarious talk systems with 12 dedicated outputs. Instant recall allows you to use different settings for soundcheck and the all-important big show.

Channel AI ™
Never before has a console been able to listen to your source, tell you what it is, suggest Gain, EQ, Compression and Gate settings if required. All this presented in an easy user interface that lets you decide which parts of suggested settings you wish to use. Adaptive presets let you pick the style of sound you want and the Channel AI ™ does the rest. You’ll wonder how you ever lived without it.
The development of the HD96-24 can be summed up with one phrase “We Listened”.

Processing
- 144 flexi input channels
- 96 flexi aux outputs, 24 matrices, stereo bus, mono bus
- 622 x 652 Point-to-point routing matrix
- 64-bit floating point Signal processing
- 24-bit, 96 kHz and 128 times oversampling D/A converter
- 24-bit, 96 kHz and 128 times oversampling A/D converter
- 96 kHz Sampling frequency
- 1.34 ms I/O latency (surface input to output)

Input audio processing
- Dual-slope high and low-pass filters
- True phase filter control
- 4-band parametric EQ with 3 shelf modes
- 4-mode creative input compressors
- Input gates or ducker
- Insert point on/off with processing order change
- Direct output with adjustable level and processing pick of point
- Delay-compensated aux return mode on inputs
- 5 x tap-off points per send

Output audio processing
- Output 4-band parametric EQ with shelving/HP/LP options
- 4-mode creative output dynamics
- Insert point on/off with processing order change
- Direct input with adjustable level and processing tap-off point

Mixing control assistance
- 8 x XLR balanced Midas microphone preamplifier
- 8 x XLR balanced Balanced outputs
- 1 x XLR balanced Talkback connector
- 1 x XLR balanced Talk connector
- 2 x 1⁄4" TRS (stereo) Headphone connector
- 2 / 2 Digital AES3 input / output (XLR)
- 4 AES50 ports (Klark Teknik SuperMAC, 100 Mbit/s)
- 2 x HyperMac (192 channels of bi-directional digital audio) on Ethercon XLR Snake (copper)
- 2 x HyperMac (192 channels of bi-directional digital audio) on Opticon XLR Snake (fibre)
- 2 x slots (CM1 module for AES50, DANTE, MADI and USB) CM1 expansion slots
- 2 x Ultranet ports (up to 16 digital outputs per port) Ultranet
- BNC, accepts TTL level, 96 kHz square wave, impedance 75 Ohms Word clock IN
- BNC, provides a TTL level, 96 kHz square wave Word clock OUT
- 1 x 3-pin XLR AES3 sync IN
- 1 x 3-pin XLR AES3 sync OUT
- Ethercon XLR External connector
- 2 x HDMI (1920 x 1080p 59.94Hz/60Hz 16:9 & 720 x 480p 59.94Hz/60Hz 16:9 supported) Monitor output
- 4 x 5 V ⎓ 900 mA USB 3.0 type A hub
- 4 x 5 V ⎓ 900 mA USB 3.0 type A (fader port expansion)
- 1 x 5 V ⎓ 900 mA USB 2.0 type A (front surface data)
- Serial port Diagnostics Por
- In, Out and Thru 5-pin MIDI DIN Midi sockets
- 2 x 12 V DC 5 W 4-pin Lamps
- 2 x IEC mains socket with power switch

Input / Output Characteristics
- 10 kΩ Surface input impedance
- +24 dBu Non-clip maximum input level
- -22.5 dB to +65 dB Input gain
- +48 V Phantom power (switchable per input)
- 5 kΩ Talk mic impedance
- +15 dB to +60 dB Talk mic gain
- +6 dB Talk mic max level
- 20 kΩ Talkback impendance
- ∞0 to + 10 dB Talkback gain
- +21 dBu Talkback max level
- 50 Ω Surface output impedance
- 0 dB Surface output gain
- +21 dBu Surface output max level
- 106 dB, 22 Hz to 22 kHz, unweighted Dynamic range
- 100 dB inputs to subgroups and masters , 106 dB inputs to aux and matrix Maximum voltage gain
- -100 dB physically adjacent input channels Crosstalk at 1 kHz
- -90 dB physically adjacent input channels Crosstalk at 10 kHz
- -100 dB Fader / pan cut off at 10 kHz
- 10 Ω Headphones output impedance
- +21 dBu Headphones maximum output level

Displays
- 21" LCD high brightness 1920 x 1080 px, captive touchscreen, up to 10 simultaneous touches display screen
- 41 x full colour LCD info displays, 24 mm x 24 mm (size), 240 x 240 px LCD info displays
- 12 segment -35 dBu to +20 dBu Input meters (quantity 30)
- 20 segment -36 dBu to +21 dBu Output meters (quantity 7)
- 5 segment -24 dBu to -1 dBu Channel comp meters (quantity 28)
- 5 segment -34 dBu to -5 dBu Channel gate meters (quantity 28)
- 12 segment -23 dBu to -1 dBu Comp meter (quantity 1)
- 12 segment -34 dBu to -1 dBu Gate meter (quantity 1)

Controls
- 8 + 8 + 8 + 4 100 mm motorized faders
- 66 Touch-sensitive rotary controls
- 28 + 8 Fully assignable rotary controls
- 28 + 8 + 12 Fully assignable backlit buttons
- A and B, min to max Headphone controls
- Talk gain min to max